Tokyo F.A.T
We have a bad ass guest, to host our monthly picnic at TeorÃas del Caos.
Join us from everywhere via Bambuser , next thursday July 30th, at 8pm (Mexico City Time) More info, right here.
* Sà estas en la Cd. De México te esperámos en Mangum Lab
Dust off your laser cutter and make your own.
To enter internets you don’t need to request a visa to any office. You are always free to enter, you are free to do what you please, you are free to work without worrying about immigration, you will be never consider an alien. You are a netizen with all rights granted. You are free to enter internets anytime and jump in and out as you want. You don’t even need to cue in a line to enter internets, just choose one of more than 65000 ports and dive in, like the jellyfish you are.
Conditions: does not apply. Expiration: unlimited. *you might need a tube, though.
Get source code to issue your internet visa, here. Or leech it from S0M4L14*
Here is a good instructable by WCEastFZX, for you to manufacture and modify your internets visa.
Actually you don’t even need a visa to enter internets, but you might want to show it off at customs.
A study depicting the stylistic diversity found in Parisian graffiti tags. Now on display at Fondation Cartier’s Born In The Streets – Graffiti exhibition until November 29, 2009.
Over 2,400 graffiti tags were photographed from April 24 to April 28, 2009, from each of Paris’s 20 districts. All photographs were archived, tagged and sorted by letter. The ten most commonly used letters by Paris graffiti writers were identified for further study (A,E,I,K,N,O,R,S,T and U). From each letter grouping, eighteen tags were isolated to represent the diversity and range of that specific character. These sets are not intended to display the “best” graffiti tags in Paris, but rather aim to highlight the diversity of forms ranging from upper case to lowercase, simple to complex and legible to cryptic. For more information go here.
Facade:
More photos can be viewed here
Print:
AEIOU – Official poster for the exhibition.
Web:
(Photo yanked from vanderlin)
New interactive version of Graffiti Taxonomy up at: fondation.cartier.com
Graffiti Taxonomy: Paris, 2009 was made possible by the production and design consulting contributions of Robert F. Houlihan, programming and interactivity of Todd Vanderlin, the invitation and support of everyone at Fondation Cartier and the inspiring work of the hundreds of graffiti writers in Paris who’s work I photographed.
The expressions published in this site are all in the public domain. You may enjoy, use, modify, snipe about and republish all F.A.T. media and technologies as you see fit.