Personally, as an artiste, I know my work isn’t finished until 1) my mom calls to tell me how disappointed she is in me or 2) I get a cease & desist letter for copyright infringement. So, what does it mean if you get a C&D from iconoclast street artist Shepard Fairey for your parody of his senescent work. Well, for Baxter Orr, it means you can def clock out for the day my brother and celebrate a job well done. And for Shepard, i think it means you’re basically finished too.
Update: For a photo of the print that launched as many as one C&D click here.
* via Bucky at Animal New York
* Mark Vallen on why Shepard Fairey is himself a plagarist
* Learn how to reply to legal threats from the masters
Saw this on boingboing and made me think it might be a nice FAT/GRL project kind of in the vein of POV Cam – tools for graffiti writers/activists to stay anonymous in the city. This one uses a super bright IR LED array to overwhelm the CCD of the camera. Looks super dorky but the same principle could be applied to under the peak of a baseball cap or through the front of the mesh.
Michael Naimark takes the laser approach, describing in his paper different ways to setup lasers to target a camera. I especially like the idea of cheap laser pointers on mini camera tripods to fix the laser on the target and then just leave it there until the battery runs out. Could also be combined with the soon to be released GRLv powerthief as a way to have it everlasting!
For embedded systems Infra Red Lasers might be a dope solution. The laser would not be visible to the human eye so it would make finding the source quite difficult – yet it would have the same effect on the camera. They can be made quite easily – it is just a matter of removing the IR blocking filter from the laser pointer and replacing it with some Kodak Wratten 87C (or developed film). Anyway thought I would get some ideas going. Lets make some 2008 era, James Bond worthy tools!
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