Released by  

The Golden Nica is replica of the Greek Nike of Samothrace. It is a handmade wooden statuette, plated with gold, so each trophy is unique: approximately 35 cm high, with a wingspan of about 20 cm, all on a pedestal. “Prix Ars Electronica” is a phrase composed of French, Latin and Spanish words, loosely translated as “Electronic Arts Prize.”

Source: Wikipedia.

F.A.T NIKA v 1.0 is a freestyle replica of Ars Electronica’s Golden Nica: “one of the most important awards for creativity and pioneering spirit in the field of digital media.” The replica is a  3d modelled object statuette copied from a wikipedia photograph,   a la old school.

The prestigious award now can be easily reproduced infinite times -digitally or physically- and use it to recognize any creative expression you dig (including your own!), while showing blatant disregard to the scarcity promoted by the art market and the artificial sanctity of juries, curators and gatekeepers.

Download and copy the F.A.T NIKA v 1.0 from here. (.stl 5MB)

JUST COPY IT.

First published at simple-mechanisms.com

*thanks Ricardo for helping out!
Released by  


Opening (for one night only): 12 June 2012, 4.30–9.00pm
Living Space Internet Café
1 Coral Street
London SE1 7BE

Public Access is an exhibition of Internet-based works by a group of artists originating from the Americas. The exhibition is presented as a ‘Speed Show’, which has become popular exhibition format in the US, but is the first of its kind in the UK. Conceived by artist Aram Bartholl in 2010, a speed show entails creating a gallery private view for browser based Internet art in a public cyber-café for one night. The exhibition format is free and can be applied by anyone, anywhere, any time.

Artists:
Eduardo Navas
Jon Rafman
Parker Ito
Double Happiness
Geraldine Juárez
River of the Net
Natalie Bookchin
Kristin Lucas
Caleb Larsen
Gustavo Romano
B.Troemel and J.Vingiano

With contributions of: Kenneth Goldsmith, Marialaura Ghidini, Marc Garrett
Curated by Rachel Falconer, Ruth Hogan, Augustina Matuseviciute and Youna Shin from the Curating Contemporary Art programme at the Royal College of Art.

http://public-access.org.uk/
http://speedshow.net/

Released by  

I was helping out recently with the final touches of the spanish version of a very cool research (really!) that focus on copyright enforcement, piracy and copy cultures: Media Piracy in Emerging Economies:

“By locating piracy within histories of non-elite media practices, we have tried to avoid definitions of piracy as theft or crime and focus instead on how pirate practices weave into existing social relations while at the same time transforming them.”

So language is power and when it comes to naming phenomena related to culture, internet and copying, the struggle over language has resulted in interesting misuses that has led to labels like pirates, whom i salute!

Those who want to control the way our culture propagate started a very vicious trend years ago by referring to the very normalized practice of copyright infringement as “theft”. There have been many attempts to explain why this is not the case. Many. At this point most people know (even supreme courts!) that infringement does not equal theft — yet there is lot of stuff that makes your eyes bleed and end up distorting the debate.

ENFORCE! is a corrective bookmarklet that force your webpage to refer to copyright infringement, copying, monopoly and culture by its proper names.

*Drag the bookmarklet to your browser toolbar and enforce at all times needed!

ENFORCE!
Test ENFORCE! on this classic Lorem Ipsum:

You wouldn’t steal a car.
You wouldn’t steal a handbag.
You wouldn’t steal a mobile phone.
You wouldn’t steal a DVD.
Downloading pirated films is stealing.
Stealing is against the law.
Piracy: It’s a crime.

Steal the disciplinary code.

1 3 4 5 6 7 13

The expressions published in this site are all in the public domain. You may enjoy, use, modify, snipe about and republish all F.A.T. media and technologies as you see fit.